MATT ROSS PUBLIC RELATIONS is dedicated to creating and executing focused, impactful publicity campaigns for theatre productions and entities in New York and beyond. In our mission to give clients a path to success, we pair bold thinking with traditional wisdom to craft clear and kinetic identities for the productions and institutions we represent.
Clients include New York Theatre Workshop; Irish Repertory Theatre; Primary Stages; the new musical Red Roses, Green Gold; The New York Musical Festival (NYMF); Barrington Stage Company; Hudson Valley Shakespeare Festival; Rattlestick Playwrights Theater; Page 73; the TEAM; Ensemble Studio Theatre; Clubbed Thumb; Fault Line Theatre; Fellowship for Performing Arts; Samovarchik; Pipeline Theatre Company; and the New York premiere of Party Face. Past clients include the 12-time Tony Award nominated Broadway musical Natasha, Pierre & The Great Comet of 1812; the critically acclaimed Broadway revival of On The Town; Broadway's Tuck Everlasting; Yale Repertory Theatre (50th Anniversary Season); Lisa Lampanelli's Stuffed; Tectonic Theater Project; the national tour of War Horse; LA's immersive production of Carrie; Murder For Two; Application Pending; Romance Language; and Straight, amongst others.
Matt Ross has been a press agent since 2005, most recently as part of The Hartman Group and prior to that at Boneau/Bryan-Brown and Keith Sherman & Associates. He has represented more than 30 Broadway and off-Broadway productions, amongst them: Billy Crystal’s 700 Sundays; Natasha, Pierre & The Great Comet of 1812; War Horse; Hands on a Hardbody; Bring It On; How To Succeed In Business Without Really Trying; Traces; Promises, Promises; A Steady Rain; La Bête; In The Heights; The Seagull; Curtains; Rock ’n’ Roll; The History Boys; Mary Poppins; and Tarzan. He has also represented the launch of NBC’s “Smash,” New York’s Signature Theatre Company and LAByrinth Theater Company and Washington DC’s Signature Theatre.